From : Reina
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fon'ts included
Counterfeit Fonts Deviant Art Fonts DSType Fonts Gudrun & Hermann Zapf Fonts Collection Munch Fonts Nick Curtis Fonts Parachute Fonts Pixel Fonts (1055) The Bureau, Inc Fonts Umbrella Fonts Pixel Fonts AIO Fonts Handwriting Style Fonts Profonts Collection Panache Typography fon'ts included Counterfeit Fonts Deviant Art Fonts DSType Fonts Gudrun & Hermann Zapf Fonts Collection Munch Fonts Nick Curtis Fonts Parachute Fonts Pixel Fonts (1055) The Bureau, Inc Fonts Umbrella Fonts Pixel Fonts AIO Fonts Handwriting Style Fonts Profonts Collection Panache Typography Ephemera Fonts Breaking The Norm Wild West Fonts Bloody TrueType Fonts by Gyomsegs ParaType Fonts Linotype Festive Greetings Fonts Collection House Industries Fonts Fancy Fonts Comic Fonts 5291 5290(more) (less) |
From : Blithe
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CS3 Professional Adobe Flash Sound Effects 882 Sound files
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From : Yaphet
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Stanford Report, June 14, 2005
'You've got to find what you love,' Jobs says Printable Version This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005. I am honored to be with you today at your commencement from one of the finest universities in the world. I never gradu Stanford Report, June 14, 2005 'You've got to find what you love,' Jobs says Printable Version This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005. I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories. The first story is about connecting the dots. I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college. And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting. It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. My second story is about love and loss. I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over. I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life. During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together. I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle. My third story is about death. When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something. Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart. About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes. I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now. This was the closest I've been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept: No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true. Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you. Stay Hungry. Stay Foolish. Thank you all very much. 5180 5181 5182(more) (less) |
From : Cutter
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"Grounded" has become a popular word among BMX-ers in the last few weeks. Have you seen it? Not a lot of people can answer that with a Yes but there's help on the way for the Dutch riders.
he Etnies BMX team is packed with amazing riders, and you’re about to get a sneak-peek at the making of their new video, “Grounded.†Rumors have been circulation about some of "Grounded" has become a popular word among BMX-ers in the last few weeks. Have you seen it? Not a lot of people can answer that with a Yes but there's help on the way for the Dutch riders. he Etnies BMX team is packed with amazing riders, and you’re about to get a sneak-peek at the making of their new video, “Grounded.†Rumors have been circulation about some of the riding that has gone down during the making of this video, so this is not to be missed. We sat down with Team Manager John Povah and Etnies video director Mike Manzoori to get some behind-the-scenes info on the video, and a peek at some of the riding. 5146 5147(more) (less) |
From : Hung
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By changing your posture you can look, move, and even breathe better, according to proponents of this century-old technique popular with entertainers. Developed by an actor who lost his voice due to improper posture, the Alexander Technique involves a series of subtle changes in stance and movement that, once learned, are to be incorporated into everyday life. Actor William Hurt introduces viewers
By changing your posture you can look, move, and even breathe better, according to proponents of this century-old technique popular with entertainers. Developed by an actor who lost his voice due to improper posture, the Alexander Technique involves a series of subtle changes in stance and movement that, once learned, are to be incorporated into everyday life. Actor William Hurt introduces viewers to the video and demonstrates the positions and movements. Hurt must truly believe in this method because not only does he allow himself to be an on-screen guinea pig for 74 minutes, but the reclusive actor has also made rare television appearances promoting the video. However much he appears to believe in the technique, though, the Oscar winner displays uncharacteristic awkwardness in introducing and quizzing his teacher, Jane Kosminsky. A former dancer, Kosminsky is well versed in the history and method of the technique as she moves Hurt through head placement, chair work, "the Monkey" (a lifting position), walking, and finally a 22-minute self lesson. At the tape's end Kosminsky warns that a personal teacher may be needed to truly learn the technique, and offers a contact number and Web site information.
5125 The Alexander Technique Lie-Down How to bring constructive rest into your life. WHY? If you could learn and utilize a daily, 20-minute activity that would gain you renewed energy, easier balance, increased efficiency in mental and physical activities, and lessened pain and stress ... would you be interested? In an average day of 12 to 16 hours of uprightness, you will ask your body to expend a great deal of energy. Your muscles, tendons, and ligaments not only use energy to provide the force to move you through space, they are also in constant demand to stabilize and maintain your vertical (upright) posture. A brief, 20-minute period of horizontal rest allows overused, fatigued, and painful muscles to release, the natural curves in your spine to balance their forces, and a respite from any stresses in your day. The Alexander Technique "lie-down" is a powerful tool of self-care that, when included in your health and well-being regimen, can bring profound improvements in your daily functioning. WHEN? The Alexander Technique lie-down is intended as a tool of prevention. Used consistently, it can deter future misuses of your structure that lead to painful imbalances. Although back pain can often be alleviated during a lie-down, your 20-minute time will yield a longer term health investment if you use it regularly, rather than choosing to lie down only _after_ your pain has made you aware of yourself. It's recommended that you lie down in the "position of mechanical advantage" at least once a day for 20 minutes; preferably in the middle of the day. All of us have had to search for extra time in the day to use for ourselves and often have difficulty finding it! Try remembering your true motivation: "when practicing my ability to stop and be present to myself, I can be truly present to others and to my environment." Include the lie-down time as part of your daily routine -- if you don't have 20 minutes, but you do have 10, then lie down for 10 minutes. If you can fit in more than one 20-minute lie-down, by all means, lie down more than once in the course of your day. However, do not lie down for longer than 20 minutes at a time. After 20 minutes, your body/mind will begin to recognize the additional minutes as a cue that this is sleeptime, rather than a short rest period. If you are a musician, you will get more value out of practice time if you lie down five minutes out of every half-hour of playing time. If you do physical fitness training, lie down before you work out to help prevent injury to over-fatigued muscles. Or lie down after working out in order to rest and re-balance before dashing back to work. If you do a lot of desk/computer work, set your timer for a five minute lie-down every 1-1/2 to 2 hours. You'll probably find your aching shoulders and neck releasing, as well as a refreshed outlook on your work tasks. Having some trouble sleeping at night? You may want to lie down just before getting into bed, although this should be in addition to another lie-down time during the day. HOW? 1. Find a quiet, draft-free place on the floor or a large flat table (conference tables work well!). Lie on a carpet, a blanket, or an exercise mat--do not use a bed. (It is the even and firm stimulus of the floor that will help your back rebalance; beds will compress at the heavier parts of your torso, such as your shoulders and hips.) You will also need a small pile of paperback books to rest your head on. Start by sitting on your sit bones with your legs extended in front of you. They can be bent, but do not cross them. You arms are in your lap or released with your hands by your sides. 2. Lean forward easily over your legs by moving from your hip joints. Think of the crown of your head extending out over your feet. Your arms should be relaxed at your sides. Your spine will be lengthening. (Check to make sure you are not aiming your nose for your knees; you will probably feel this as a crunching of your spine.) When you feel that your lower back has lengthened slightly, let your head drop forward from the top of your neck and begin to roll back to lie down. Your hips will go down first, then your back, then your shoulders and head. This movement is done smoothly and easily. It is not a test of the strength of your abdominal muscles; just let your stomach muscles release as you roll back. Reach back and move the pile of books so that the base of your skull rests on them. The books should not touch your neck; rather your neck hangs freely. You may want to use a folded washcloth as a pad if you have a bumpy ridge at the base of your skull. 3. The pile of books under your head should be high enough to fill the space made by the natural curve in your neck. There is a slight forward rotation of your head in relation to your neck. If you feel your jaw is pressing on your throat, you have too many books under your head. If your eyes seem to be looking behind you or your head is rotating backward on your neck, you have too few books under your head. Experiment with the height of the book pile; it will change over time and may even change within the 20 minutes you are lying there. Using a number of thinner books allows you to easily change the height of the pile. 4. After a few seconds of letting your entire body weight settle into the floor, bring your forearms up so that your elbows are directed away from your sides and your hands are resting on your lower ribs. Let your hands lay rested on your torso with fingers extended. Think about letting the full weight of your arms rest on the floor. 5. Bring your legs up one at a time so that your knee is pointing up to the ceiling and your foot is flat on the floor. Your legs should be about shoulder-width apart and your feet are as close to your rear as is comfortable. Rather than "holding" the legs up by squeezing in the groin and pulling the knees together, let them point up to the ceiling the same distance apart as your feet. If you like, you can turn your feet out slightly. 6. After you bring your legs up, your spine will lengthen slightly. You may wish to push the pile of books back a bit. They should be under your head and not touching your neck, which hangs free. 7. Bring your mind to allowing your body weight to settle into the floor. Let the full weight of your head rest on the pile of books. Notice where you are holding onto the muscles of your body and think about letting them release their unnecessary work. Let your breathing be easy and regular. During the 20 minutes, let your mind regularly return to these observations; when you notice yourself "holding on," think about letting your head's weight rest completely on the pile of books once again and release yoru full body weight onto the floor. 8. After 20 minutes, get up by rolling your head to the side, followed by your arms and shoulders, then hips and legs. Bring yourself onto hands and knees and slowly bring yourself to standing. Remember to breathe easily during this sequence, holding your breath will lock up your newly released and balanced torso and will make movement more difficult.(more) (less) |
From : Taurus
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Description: Discover the power of Dreamweaver, an award-winning Web design program with this in-depth tutorial. From the basics of how to create Web pages, set links, and insert images, to more advanced techniques for creating page layouts with tables and CSS, you'll learn everything you need to create and publish a web site. You'll also learn how to use Dreamweaver's more advanced features to in
Description: Discover the power of Dreamweaver, an award-winning Web design program with this in-depth tutorial. From the basics of how to create Web pages, set links, and insert images, to more advanced techniques for creating page layouts with tables and CSS, you'll learn everything you need to create and publish a web site. You'll also learn how to use Dreamweaver's more advanced features to insert Flash, video, and audio files, and use Dreamweaver's JavaScript behaviors to create interactive effects, like rollovers and image swaps. With these easy to follow lessons, you'll get up to speed quickly with Dreamweaver CS3.
Lesson 1: DESIGNING WEBSITES WITH DREAMWEAVER CS3 (20 min) 1. Comparing Web Design Options 2. Appreciating CSS Advantages 3. Reviewing Old School Designs 4. Creating Dynamic Sites 5. Reviewing Site Differences Lesson 2: CREATING A NEW WEBSITE (44 min) 1. Creating a New Site 2. Creating a New Page 3. Adding Images with Alternate Text 4. Inserting & Formatting Text 5. Aligning Images with the Property Inspector 6. Using the Page Properties Dialog Box 7. Linking to Pages in a Site 8. Creating an Email Link 9. Linking to Other Websites 10. Testing & Targeting Links 11. Organizing Files & Folders Lesson 3: CUSTOMIZING THE INTERFACE (24 min) 1. Introducing the Workspace 2. Opening an Existing Site 3. Working in Code, Design & Split Views 4. Customizing the Insert Bar 5. Use the Properties Inspector & the Tag Selector 6. Reviewing Menu Options & Preferences 7. Comparing the Macintosh® & PC Interfaces 8. Previewing in Browsers & Device Central Lesson 4: CREATING & INSERTING IMAGES (22 min) 1. Optimizing Images for the Web 2. Saving GIFs & PNGs in Photoshop® 3. Inserting GIFs in Dreamweaver 4. Adjusting Transparency Settings 5. Saving JPGs for the Web 6. Edit Images in Dreamweaver & Photoshop 7. Changing Editor Preferences Lesson 5: CREATING CSS LAYOUTS (80 min) 1. Getting Started with Styles 2. Creating Tag & Class Styles 3. Creating Styles to Format Images 4. Reviewing CSS Code 5. Previewing Page Styles 6. Understanding Page Properties 7. Creating Divs with ID Styles 8. Adding Images & Lists to Divs 9. Creating a Series of Divs 10. Aligning Divs Side by Side 11. Using the Clear Option in CSS 12. Adding Borders with CSS 13. Creating an Image Border 14. Using Margins for Positioning 15. Creating Navigation Links 16. Styling a List for Navigation 17. Creating a Rollover Effect in CSS 18. Duplicating Existing Styles 19. Changing Page Properties Styles 20. Reviewing Style Selectors Lesson 6: DESIGNING WITH CSS (57 min) 1. Understanding the Box Model 2. Comparing Margins & Padding 3. Viewing CSS in Various Browsers 4. Creating a Page from a Template 5. Using Paste Special 6. Using Styles to Align Images 7. Creating a Two Column Layout 8. Calculating CSS Spacing 9. Styling Headlines 10. Understanding Font Sizes 11. Using External Style Sheets 12. Viewing Styles 13. Reviewing CSS Options Lesson 7: CREATING LAYOUTS WITH ABSOLUTE POSITIONING (54 min) 1. Explaining Absolute Positioning 2. Comparing Absolute & Centered Positioning 3. Warnings about Using AP Divs 4. Using a Tracing Image 5. Creating a Layout with AP Divs 6. Naming AP Divs 7. Nesting AP Divs 8. Aligning AP Divs 9. Inserting Images into Divs 10. Calculating Page Layouts 11. Refining an AP Layout 12. Setting the Z-Index Lesson 8: DESIGNING ACCESSIBLE TABLES (32 min) 1. Understanding Tables & Accessibility 2. Using Tables for Tabular Data 3. Styling a Table 4. Editing Table Layouts 5. Adding Style to a Table Using CSS Lesson 9: CREATING WEBSITES WITH FRAMES (20 min) 1. Introducing Frames 2. Creating a Frameset 3. Opening Pages into Frames 4. Controlling Scrollbars & Borders 5. Targeting Links in Frames 6. Credits Lesson 1: USING BEHAVIORS TO ADD INTERACTIVITY (43 min) 1. Viewing Behaviors in a Browser 2. Introducing the Behaviors Panel 3. Inserting Rollover Images 4. Using the Swap Image Behavior 5. Altering Swap Image Options 6. Using the Show-Hide Elements Behavior 7. Using the Open Browser Behavior 8. Downloading More Behaviors Lesson 2: SURVIVAL HTML & CSS (24 min) 1. Writing HTML: The Fundamentals 2. Understanding Doctypes 3. Recognizing HTML Tags 4. Understanding Links 5. Working in Split View Lesson 3: USING & CREATING TEMPLATES (31 min) 1. Using CSS Layouts 2. Editing CSS Layouts 3. Altering CSS Styles 4. Creating a Dynamic Web Template 5. Editing Dynamic Web Templates Lesson 4: CREATING WEB FORMS (25 min) 1. Creating & Inserting a Form 2. Inserting Text Fields 3. Adding Drop-Down Lists 4. Inserting Radio Buttons 5. Inserting Check Boxes & a Submit Button 6. Connecting a Form to a Script Lesson 5: ADDING FLASH® TO YOUR PAGES (25 min) 1. Working with Flash 2. Inserting Flash Video 3. Creating Flash Buttons & Text 4. Troubleshooting the Flash Options Lesson 6: TESTING & PUBLISHING A WEBSITE (18 min) 1. Using the Check Page Feature 2. Testing & Fixing Links 3. Running Site Reports 4. Conguring FTP Settings 5. Publishing a Site to a Server Lesson 7: DREAMWEAVER TIPS & TRICKS (07 min) 1. Registering a Domain Name 2. Finding Fonts & Photos 3. Learning More Online 4. Final Comments & Credits 5054 5055 5056 5057(more) (less) |
From : Cutter
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The Complete Guide to the TOEFL?Test, iBT Edition
Interactive CD-ROM Copyright (c) 2007 by Thomson ELT, a part of the Thomson Corporation. All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means -- graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and re The Complete Guide to the TOEFL?Test, iBT Edition Interactive CD-ROM Copyright (c) 2007 by Thomson ELT, a part of the Thomson Corporation. All rights reserved. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means -- graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems -- without the written permission of the publisher. TOEFL is a registered trademark of Educational Testing Service (ETS). This publication is not endorsed or approved by ETS. To start the program, double-click on the Complete Guide icon. To learn more about the CD and how to use it, click on the Help icon (the question mark) on the upper-right part of the screen once the program is running. MINIMUM SYSTEM REQUIREMENTS Windows: * Windows 98/Me/2000/XP * 64MB RAM, 128MB recommended * 200MB free hard disk space * 800 x 600 minimum display, 1024 x 768 recommended * Sound card and headset * Microphone Macintosh: * Mac OS X (10.2 or later), OS 9.2, or later * PowerPC G4 or G5 * 64MB RAM, 128MB recommended * 200MB free hard disk space * 800 x 600 minimum display, 1024 x 768 recommended * Sound card and headset * Microphone Accessing Speaking and Writing Response The files saved during the Speaking and Writing sections of the test are saved in the SPEAKING and WRITING folders in the installed Complete Guide folder. To review your speaking and writing answers go to the SPEAKING and WRITING folders in the Complete Guide folder. Opening Speaking and Writing Responses To open your saved Speaking files, double-click on the file. Speaking files can be opened by any standard audio program, such as QuickTime(tm) or Windows Media Player. --Windows If the file does not open, then for Windows users, click Start Menu, and in the Programs list choose Accessories/Entertainment/Sound Recorder, and open the file from there. For Writing, open your word processor and open the file. Note that you may need to set the "Files of type" to "All" in order to see the file in the Open dialog box. --Mac Many programs, including iTunes and QuickTime(tm), can play back the Speaking files. Many word processors, including Microsoft Word?and TextEdit can open the Writing responses. Note: iMac Core Duo with Intel Corporation T2400 (1.83Ghz) (1830 MHz) processors may have some difficulty recording answers during the Speaking section. 4987 The post was last edited by Cutter on 2007-9-10 08:04 ](more) (less) |
From : Caesar
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Sun.Microsystems.Introduction.to.Mobile.Java.Technologies.CDJ.450-SoSISO
â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ TYPE : . Sun.Microsystems.Introduction.to.Mobile.Java.Technologies.CDJ.450-SoSISO â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ TYPE : . . . . . . . . . . Bookware â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–“ DATE : . . . . . . . . . Sep 2,2007 â–“ â–ˆ â–ˆ █░█ FILES : . . . . . . . . . . 12x15MB █░█ █▓â•Ââ–“â–ˆ █▓â•Ââ–“â–ˆ █░█ ARCHIVE : . . . . . . .smmddwjt.rar █░█ â–ˆ â–ˆ â–“ â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ â–ˆ â–“â•Â╬â•Ââ–“ RELEASE INFORMATION â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–ˆ The Introduction to Mobile Java Technologies bundle provides students with an introduction to wireless application infrastructures and those Java technologies for use in mobile applications. The first course provides a high-level overview of the market for wireless technologies and an explanation of how wireless and device-based technology work together. Students evaluate how wireless technologies can impact a company's business model and plan the steps to adopt a solution. The second course provides a discussion of the Java 2 Platform, Micro Edition (J2ME platform) configurations, profiles, and standard extensions. Students will have an overall awareness of the J2ME architecture and its technological fit in mobile computing. Course materials also address how the software layers integrate to provide a coherent application environment as compared to other mobile frameworks. http://www.sun.com/training/catalog/courses/CDJ-450.xml â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ INSTALLATION â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ Burn or Mount ▄■▀▀ â–„â–„â–„â– â– â–„â–„â–„ ▀▀■▄ ▄▄▄▄▄▄▄▄▄▄█▓▓█ About Us █▓▓█▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▀▀▓ â–„â–„â–„â–„â–„â–„â–„â–“ ▀▀▀▀▀▀▀▒▀▀▀▀▀▀ â–“â–„â–„â–„â–„â–„â–„â–„â–„ ▓▀▀▄▄▄ ▄▄▀▀▓█ ▄▄▄█▀▀ ▀▀█▄▄▄ █▓▀▀▄▄ ▄▀▀▓█▄▄▄█▀▀ ▀▀█▄▄▄█▓▀▀▄ ▄▀▀▓█▄█▀ â–“ ▀█▄█▓▀▀▄ ▄▀▓█▄█▀▀ â–„ ▄▄░█░▄▄ â–„ ▀▀█▄█▓▀▄ ▓█▓█▓█▓█▓ â–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Â╬â•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆ ▓█▓█▓█▓█▓ â–€ ▀▀░█░▀▀ â–€ â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ Founded in 1998. The Society of Sharing is dedicated to â–“â•Â╬â•Ââ–“ â–ˆ sharing knowledge and resources, and doing whatever it â–ˆ â–“ takes to get them to the inexperienced and experts alike. â–“ â–ˆ We earned our name, as we work strictly on a donation â–ˆ █░█ basis, and take pride in that fact. █░█ █▓â•Ââ–“â–ˆ █▓â•Ââ–“â–ˆ █░█ █░█ â–ˆ â–ˆ â–“ SoS can be reached at sosfxp@hush.com â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ SoS DOES NOT SUPPLY MISSING FILES ! â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ Greets Go Out To â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ All those who share â–ˆ SHARE OR BE SHARED â–ˆ â–“â•Â╬â•Ââ–“ IT'S NOT WHAT YOU GET,IT'S WHAT YOU GIVE â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ S.O.S 4840(more) (less) |
From : Caesar
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4838
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From : Hafwen
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Filled with clear screenshots and detailed explanations, this guide will help you take full advantage of the high-performance features available in Microsoft Windows Vista and experience the power of this integrated, next-generation operating system.
About the Author Herb Schildt (Mahomet, IL) is a leading authority on C and C++ and a best-selling author whose books h Filled with clear screenshots and detailed explanations, this guide will help you take full advantage of the high-performance features available in Microsoft Windows Vista and experience the power of this integrated, next-generation operating system. About the Author Herb Schildt (Mahomet, IL) is a leading authority on C and C++ and a best-selling author whose books have sold more than 2 million copies. His acclaimed C and C++ books include Teach Yourself C, C++ from the Ground Up, C++: The Complete Reference, Java Programmer's Reference, STL Programming from the Ground Up, Windows 98 Programming from the Ground Up, and co-author of C/C++ Annotated Archives. Table of Contents Windows Vista-The Complete Reference Introduction Part I - Working in Windows Vista Chapter 1 - The Basics of Windows Vista Chapter 2 - Running Programs Chapter 3 - Installing Programs Chapter 4 - Getting Help Chapter 5 - Copying, Moving, and Sharing Information Between Programs Chapter 6 - Sharing Your Computer with Multiple Users Chapter 7 - Managing Appointments and Schedules with Windows Calendar Part II - Managing Your Disk Chapter 8 - Using Files and Folders Chapter 9 - Managing Files and Folders Chapter 10 - Backing Up Your Files with the Backup Utility Part III - Configuring Windows for Your Computer Chapter 11 - Setting Up Your Start Menu and Taskbar Chapter 12 - Setting Up Your Desktop Chapter 13 - Configuring Your Keyboard, Mouse, Game Controller, and Regional Settings Chapter 14 - Adding and Removing Hardware Chapter 15 - Printing Chapter 16 - Running Windows Vista on Laptops Chapter 17 - Ease of Access Center Part IV - Working with Text, Pictures, Sound, and Video Chapter 18 - Working with Documents in Windows Vista Chapter 19 - Working with Graphics Chapter 20 - Working with Sound Chapter 21 - Working with Video Chapter 22 - Working with Windows Media Center Part V - Windows Vista on the Internet Chapter 23 - Configuring Windows to Work with Your Modem Chapter 24 - Connecting to the Internet Chapter 25 - Using Windows Mail for E-mail Chapter 26 - Browsing the World Wide Web with Internet Explorer Chapter 27 - Internet Conferencing with Windows Live Messenger Chapter 28 - Other Internet Programs That Come with Windows Vista Part VI - Networking with Windows Vista Chapter 29 - Designing a Windows-Based Local Area Network Chapter 30 - Configuring Windows for a LAN Chapter 31 - Sharing Drives and Printers on a LAN Chapter 32 - Connecting Your LAN to the Internet Chapter 33 - Network, Internet, and Web Security Part VII - Windows Housekeeping Chapter 34 - Formatting and Partitioning Disks Chapter 35 - Keeping Your Disk Safe Chapter 36 - Tuning Windows Vista for Maximum Performance Chapter 37 - Troubleshooting Windows Vista Chapter 38 - Windows Update, Windows Ultimate Extras, and Other Windows Vista Resources Part VIII - Behind the Scenes-Windows Vista Internals Chapter 39 - Windows Vista Configuration Files Chapter 40 - Registering Programs and File Types Appendix A - Installing or Upgrading to Windows Vista Index(more) (less) |
From : Nohealani
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Learn a production workflow to automotive modeling and a multitude of techniques that can be used for Film, Games, Commercials, and Automotive Design with 10 hours of project-driven training. Great for intermediate artists seeking fresh techniques.
Popular highlights include: Establishing Automotive Line Flow Creating NURBS Curve Framework Modeling Contoured Learn a production workflow to automotive modeling and a multitude of techniques that can be used for Film, Games, Commercials, and Automotive Design with 10 hours of project-driven training. Great for intermediate artists seeking fresh techniques. Popular highlights include: Establishing Automotive Line Flow Creating NURBS Curve Framework Modeling Contoured Panels Adding Sub-D Resolution Avoiding Creases and Dents with Edge Spacing Adding Scoops to Curves Surfaces Extracting Useful Geometry Mirroring Detail Troubleshooting Common Edge Loop Issues Creative Uses of Extrusions Converting Between Geometry Moving Points Along Normals Adding Tire Tread with Bump Maps Modeling using Deformers HDR Lighting Setup mental ray Shading Techniques Automotive Terminology and Concepts 1. Introduction and project overview 1:28 2. Overview of project techniques 2:03 3. Drawing out significant curves along body (part 1) 10:31 4. Drawing out significant curves along body (part 2) 8:17 5. Drawing out significant curves along body (part 3) 12:09 6. Drawing out significant curves along body (part 4) 19:59 7. Modifying curves to prepare for surface creation 14:44 8. Creating NURBS panels from curves (part 1) 12:30 9. Creating NURBS panels from curves (part 2) 11:57 10. Converting panels to polygons 7:27 11. Building large scoop on side of car 12:31 12. Modeling lower scoops 8:55 13. Adding subd resolution to door and side panels (part 1) 10:46 14. Adding subd resolution to door and side panels (part 2) 13:45 15. Adding subd resolution to door and side panels (part 3) 7:26 16. Adding some thickness to bottom of body 6:13 17. Extracting headlight cover and well 11:54 18. Cutting out body panels 14:58 19. Adding thickness to body panels 11:19 20. Continuing to add thickness to the body panels 14:21 21. Cutting out the headlight panel 16:20 22. Extruding in scoops on the front end 14:33 23. Building out the bottom of the bumper 7:04 24. Mirroring the front end 4:00 25. Building the grill 10:58 26. Mirroring back end and bridging the gaps 8:38 27. Filling in back end geometry 8:54 28. Drawing out edges to prepare for extrusion 4:42 29. Extruding in sections of the back end 20:04 30. Adding subd resolution to back end 9:49 31. Creating hood geometry 7:37 32. Cutting out the hood 4:03 33. Adding thickness to the hood geometry 6:16 34. Building scoop into hood and adding resolution 7:39 35. Modeling trunk 5:01 36. Adding trunk detail 3:01 37. Adding pieces to the side of the trunk 4:38 38. Attaching the a-pillar to the roof and cutting out the door 11:46 39. Adding a scoop to the roof 12:50 40. Modeling the b-pillar 4:42 41. Adding thickness and resolution to side pieces 6:17 42. Building window geometry using existing curves 6:54 43. Adding circular detail to b-pillar 9:05 44. Building the headlights 13:01 45. Adding a spoiler 10:24 46. Building taillights and rear panels 8:53 47. Adding detail to exhaust panel and adding pipes 12:41 48. Modeling the bottom piece for the back end 6:06 49. Adding the fins 12:00 50. Fitting the windshield and backlight into the car 5:25 51. Starting the backlight vent housing 5:06 52. Finishing out the backlight vent by adding slats 10:07 53. Building a tire and rim 11:14 54. Modeling the wheel's spokes 13:37 55. Building the brake disc and caliper 9:38 56. Mirroring panels and wheels 3:05 57. Building an undercarriage 11:32 58. Modeling the side mirrors 11:56 59. Adding windshield wipers and reflectors 18:30 60. Setting up HDR lighting 8:41 61. Using mental ray shaders to create a realistic look 10:30 62. Conclusion 1:29 Total Run Time: 9:51:57 4727 4728 4729 4730 4731 4732 4733(more) (less) |
From : Jamaica
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This amazing collection features 110 years of foldout maps included with issues of National Geographic magazine. The archive features multimedia tours, interactive time lines that trace the evolution of mapping, and over 500 irreplaceable maps that trace the course of history.
Travel to the ocean’s depths, explore the surface of the moon, and even peer into distant This amazing collection features 110 years of foldout maps included with issues of National Geographic magazine. The archive features multimedia tours, interactive time lines that trace the evolution of mapping, and over 500 irreplaceable maps that trace the course of history. Travel to the ocean’s depths, explore the surface of the moon, and even peer into distant galaxies with maps only the National Geographic Society can create. Key Features: * Engaging stories and amazing photos about people and places that have shaped our history * 535 foldout maps published by National Geographic magazine * Multimedia tours of world regions, space, the environment, and other areas * Top-notch technology for searching and ease of use(more) (less) |
From : soreall
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Toolkit Touchdown!
Hey, sports fans, this one's for you! If you make sports video, whether it is for an evening news program, highlight clips for a university athletic department promo/fundraiser or just a side project documenting a season of Little League, you'll cheer for the Editor's Toolkit that we have on deck. A sports-themed Editor's Toolkit is high on a lot of our customers' Toolkit Touchdown! Hey, sports fans, this one's for you! If you make sports video, whether it is for an evening news program, highlight clips for a university athletic department promo/fundraiser or just a side project documenting a season of Little League, you'll cheer for the Editor's Toolkit that we have on deck. A sports-themed Editor's Toolkit is high on a lot of our customers' "Most Requested" lists. Like our other toolkits, the graphics are organized into coordinated teams of matching elements (Jump Sets), including lower thirds, overlays, transitions and special Motion Design Elements. Animated Backgrounds & Templates These are full screen animationsâ€â€similar, but not identical, to our popular Jump Backs line. Typically the animated backgrounds you'll find in the Toolkits are either "regular" or "template style". These "template style" backgrounds are designed to be more text friendly than the regular backgrounds. They also tend to be more subdued in order to complement, and not distract from, the text, video or images you overlay on them. Digital.Juice.Editors.Toolkit.8.Sports.Tools.Disk1.DVD9-NoPE DO NOT REQUEST ANY FILES FROM US! 4637 4638 4639 4640 4641(more) (less) |
From : Lezane
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TYPE : . . . . . . . . . .Photodisc â–“â•Â╬â•Ââ–“
â–ˆ â–ˆ â–“ DATE : . . . . . . . . .Aug 27,2007 â–“ ââ TYPE : . . . . . . . . . .Photodisc â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–“ DATE : . . . . . . . . .Aug 27,2007 â–“ â–ˆ â–ˆ █░█ FILES : . . . . . . . . . . 41x15MB █░█ █▓â•Ââ–“â–ˆ █▓â•Ââ–“â–ˆ █░█ ARCHIVE : . . . . . . .soscp710.rar █░█ â–ˆ â–ˆ â–“ â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ â–ˆ â–“â•Â╬â•Ââ–“ RELEASE INFORMATION â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–ˆ 100 Images, PCD 768 x 512 Pixels 6MB (24 BitsPerPixel) â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ INSTALLATION â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ Burn or Mount. ▄■▀▀ â–„â–„â–„â– â– â–„â–„â–„ ▀▀■▄ ▄▄▄▄▄▄▄▄▄▄█▓▓█ About Us █▓▓█▄▄▄▄▄▄▄▄▄▄▄▄ ▄▄▄▀▀▓ â–„â–„â–„â–„â–„â–„â–„â–“ ▀▀▀▀▀▀▀▒▀▀▀▀▀▀ â–“â–„â–„â–„â–„â–„â–„â–„â–„ ▓▀▀▄▄▄ ▄▄▀▀▓█ ▄▄▄█▀▀ ▀▀█▄▄▄ █▓▀▀▄▄ ▄▀▀▓█▄▄▄█▀▀ ▀▀█▄▄▄█▓▀▀▄ ▄▀▀▓█▄█▀ â–“ ▀█▄█▓▀▀▄ ▄▀▓█▄█▀▀ â–„ ▄▄░█░▄▄ â–„ ▀▀█▄█▓▀▄ ▓█▓█▓█▓█▓ â–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Â╬â•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆâ•Ââ–“â•Ââ–ˆ ▓█▓█▓█▓█▓ â–€ ▀▀░█░▀▀ â–€ â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ Founded in 1998. The Society of Sharing is dedicated to â–“â•Â╬â•Ââ–“ â–ˆ sharing knowledge and resources, and doing whatever it â–ˆ â–“ takes to get them to the inexperienced and experts alike. â–“ â–ˆ We earned our name, as we work strictly on a donation â–ˆ █░█ basis, and take pride in that fact. █░█ █▓â•Ââ–“â–ˆ SoS can be reached at sosfxp@hush.com █▓â•Ââ–“â–ˆ █░█ █░█ â–ˆ â–ˆ â–“ â–“ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ SoS DOES NOT SUPPLY MISSING FILES ! â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ â–ˆ â–ˆ â–“â•Â╬â•Ââ–“ Greets Go Out To â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ All those who share â–ˆ SHARE OR BE SHARED â–ˆ â–“â•Â╬â•Ââ–“ IT'S NOT WHAT YOU GET,IT'S WHAT YOU GIVE â–“â•Â╬â•Ââ–“ â–ˆ â–ˆ S.O.S 4631(more) (less) |
From : qiqing
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4628
Windows Vista is Microsoft's most important software release in more than a decade. It offers users an abundance of new and upgraded features that were more than five years in the making: a gorgeous, glass-like visual overhaul; superior searching and organization tools; a multimedia and collaboration suite; and above all, a massive, top-to-bottom security-shield overhaul. There 4628 Windows Vista is Microsoft's most important software release in more than a decade. It offers users an abundance of new and upgraded features that were more than five years in the making: a gorgeous, glass-like visual overhaul; superior searching and organization tools; a multimedia and collaboration suite; and above all, a massive, top-to-bottom security-shield overhaul. There's scarcely a single feature of the older versions of Windows that hasn't been tweaked, overhauled, or replaced entirely. But when users first encounter this beautiful new operating system, there's gonna be a whole lotta head-scratchin', starting with trying to figure out which of the five versions of Vista is installed on the PC (Home, Premium, Business, Enterprise, Ultimate). Thankfully, Windows Vista: The Missing Manual offers coverage of all five versions. Like its predecessors, this book from New York Times columnist, bestselling author, and Missing Manuals creator David Pogue illuminates its subject with technical insight, plenty of wit, and hardnosed objectivity for beginners, veteran standalone PC users, and those who know their way around a network. Readers will learn how to: Navigate Vista's elegant new desktop Locate anything on your hard drive quickly with the fast, powerful, and fully integrated search function Use the Media Center to record TV and radio, present photos, play music, and record any of the above to DVD Chat, videoconference, and surf the Web with the vastly improved Internet Explorer 7 tabbed browser Build a network for file sharing, set up workgroups, and connect from the road Protect your PC and network with Vista's beefed up security And much more. This jargon-free guide explains Vista's features clearly and thoroughly, revealing which work well and which don't. It's the book that should have been in the box! 4629 Windows Vista: Beyond the Manual is a comprehensive guide to installing, configuring, exploiting, and using the richest Microsoft client operating system on the market. It guides you through the complexities of configuring and running a successful Windows Vista client computer. It also takes an in-depth look at the wealth of features and functions comprising the various flavors of the software. Windows Vista provides a range of new capabilities and features, many of which are apparent through a totally redesigned interface, and many more that are hidden just beneath the surface. With the help of Windows Vista: Beyond the Manual, IT professionals and home PC enthusiasts alike will become expert users, taking full advantage of the myriad functions and features that make up this release. Noted authors Jonathan Hassell and Tony Campbell pack this book full of their own experience, plus hundreds of hints, tips, and walkthroughs, making it an indispensable companion that won't waste your time. * It's a one-stop shop for geeks and knowledgeable users getting to know Windows Vista. * The authors walk you through practically every useful function. * All versions of Windows Vista are covered and analyzed, and recommendations are offered. * The book devotes a section to next-generation Media Center. * A complete "Where Am I" guide is included for new Vista users. * Domain integration and unattended installation are also covered in detail. 4630 Table of Contents | Index The Missing Credits Introduction Part 1: The Vista Desktop Chapter 1. Welcome Center, Desktop, and the Start Menu Section 1.1. The Welcome Center: All Versions Section 1.2. The Vista DesktopNow with Aero!: Home Premium • Business • Enterprise • Ultimate Section 1.3. The Start Menu: All Versions Section 1.4. What's in the Start Menu: All Versions Section 1.5. Start (Sleep): All Versions Section 1.6. Start (Lock): All Versions Section 1.7. StartLog Off, Restart, Hibernate, Shut Down: All Versions Section 1.8. StartHelp and Support: All Versions Section 1.9. StartDefault Programs: All Versions Section 1.10. StartControl Panel: All Versions Section 1.11. StartConnect To: All Versions Section 1.12. StartNetwork: All Versions Section 1.13. StartComputer: All Versions Section 1.14. StartRecent Items: All Versions Section 1.15. StartSearch: All Versions Section 1.16. StartGames: All Versions Section 1.17. StartMusic, Pictures: All Versions Section 1.18. StartDocuments: All Versions Section 1.19. Start: The Personal Folder: All Versions Section 1.20. StartRun: All Versions Section 1.21. Customizing the Start Menu: All Versions Chapter 2. Explorer, Windows, and the Taskbar Section 2.1. Universal Window Controls: All Versions Section 2.2. Explorer Window Controls: All Versions Section 2.3. Optional Window Panes: All Versions Section 2.4. Tags, Metadata, and Properties: All Versions Section 2.5. Icon and List Views: All Versions Section 2.6. Sorting, Grouping, Stacking, and Filtering: All Versions Section 2.7. Uni-Window vs. Multi-Window: All Versions Section 2.8. Immortalizing Your Tweaks: All Versions Section 2.9. The "Folder Options" Options: All Versions Section 2.10. Sizing, Moving, and Closing Windows: All Versions Section 2.11. Windows Flip (Alt+Tab): All Versions Section 2.12. Windows Flip 3D: Home Premium • Business • Enterprise • Ultimate Section 2.13. The Taskbar: All Versions Section 2.14. Taskbar Toolbars: All Versions Chapter 3. Searching and Organizing Your Files Section 3.1. Meet Vista Search: All Versions Section 3.2. Search from the Start Menu: All Versions Section 3.3. Explorer-Window Searches: All Versions Section 3.4. Saved Searches (Search Folders): All Versions Section 3.5. The Folders of Windows Vista: All Versions Section 3.6. Life with Icons: All Versions Section 3.7. Selecting Icons: All Versions Section 3.8. Copying and Moving Folders and Files: All Versions Section 3.9. The Recycle Bin: All Versions Section 3.10. Shortcut Icons: All Versions Section 3.11. Compressing Files and Folders: All Versions Section 3.12. Burning CDs and DVDs from the Desktop: All Versions Chapter 4. Interior Decorating Vista Section 4.1. Aero or Not: Home Premium • Business • Enterprise • Ultimate Section 4.2. Dialing Up Your Own Look: All Versions Section 4.3. Desktop Background (Wallpaper): All Versions Section 4.4. Screen Savers: All Versions Section 4.5. Sounds: All Versions Section 4.6. Mouse Makeover: All Versions Section 4.7. Change Your Theme: All Versions Section 4.8. Monitor Settings: All Versions Chapter 5. Getting Help Section 5.1. Navigating the Help System: All Versions Section 5.2. Remote Assistance: All Versions Section 5.3. Getting Help from Microsoft: All Versions Part 2: Vista Software Chapter 6. Programs, Documents, and Gadgets Section 6.1. Opening Programs: All Versions Section 6.2. Exiting Programs: All Versions Section 6.3. When Programs Die: The Task Manager: All Versions Section 6.4. Saving Documents: All Versions Section 6.5. Closing Documents: All Versions Section 6.6. The Open Dialog Box: All Versions Section 6.7. Moving Data Between Documents: All Versions Section 6.8. Speech Recognition: All Versions Section 6.9. The Sidebar: All Versions Section 6.10. Filename Extensions and File Associations: All Versions Section 6.11. Installing Software: All Versions Section 6.12. Uninstalling Software: All Versions Section 6.13. Running Pre-Vista Programs: All Versions Chapter 7. The Freebie Software Section 7.1. Default Programs: All Versions Section 7.2. Internet Explorer: All Versions Section 7.3. Windows Calendar: All Versions Section 7.4. Windows Contacts: All Versions Section 7.5. Windows Defender: All Versions Section 7.6. Windows DVD Maker: Home Premium • Ultimate Section 7.7. Windows Fax and Scan: Business • Enterprise • Ultimate Section 7.8. Windows Live Messenger Download: All Versions Section 7.9. Windows Mail: All Versions Section 7.10. Windows Media Center: Home Premium • Ultimate Section 7.11. Windows Media Player: All Versions Section 7.12. Windows Meeting Space: Home Premium • Business • Enterprise • Ultimate Section 7.13. Windows Movie Maker: Home Premium • Ultimate Section 7.14. Windows Photo Gallery: All Versions Section 7.15. Windows Update: All Versions Section 7.16. Accessories: All Versions Section 7.17. Extras and Upgrades: All Versions Section 7.18. Games: All Versions Section 7.19. Maintenance Section 7.20. Startup Chapter 8. The Control Panel Section 8.1. Home View: The Big Vista Change: All Versions Section 8.2. Classic View: All Versions Section 8.3. The Control Panel, Applet by Applet: All Versions Part 3: Vista Online Chapter 9. Hooking Up to the Internet Section 9.1. Broadband Connections (Cable Modems and DSL): All Versions Section 9.2. Wireless Networks: All Versions Section 9.3. Dial-Up Connections: All Versions Section 9.4. Connection Management: All Versions Section 9.5. Details on Dial-Up: All Versions Chapter 10. Internet Security Section 10.1. Security Center: All Versions Section 10.2. Windows Firewall: All Versions Section 10.3. Windows Defender: All Versions Section 10.4. The Phishing Filter: All Versions Section 10.5. Privacy and Cookies: All Versions Section 10.6. History: Erasing Your Tracks: All Versions Section 10.7. The Pop-up Blocker: All Versions Section 10.8. Internet Security Zones: All Versions Section 10.9. Hot Spot Security: All Versions Section 10.10. Protect Your Home Wireless Network: All Versions Section 10.11. Parental Controls: All Versions Chapter 11. Internet Explorer 7 Section 11.1. IE7: The Grand Tour: All Versions Section 11.2. Tabbed Browsing: All Versions Section 11.3. Favorites (Bookmarks): All Versions Section 11.4. History List: All Versions Section 11.5. RSS: The Missing Manual: All Versions Section 11.6. Tips for Better Surfing: All Versions Section 11.7. The Keyboard Shortcut Master List: All Versions Chapter 12. Windows Mail Section 12.1. Setting Up Windows Mail: All Versions Section 12.2. Sending Email Section 12.3. Reading Email: All Versions Section 12.4. Junk Email: All Versions Section 12.5. Configuring Windows Mail: All Versions Section 12.6. Newsgroups: All Versions Part 4: Pictures, Movies, and Media Center Chapter 13. Windows Photo Gallery Section 13.1. Photo Gallery: The Application: All Versions Section 13.2. Getting Pictures into Photo Gallery: All Versions Section 13.3. The Post-Dump Slideshow: All Versions Section 13.4. The Digital Shoebox: All Versions Section 13.5. Tags and Ratings: All Versions Section 13.6. Editing Your Shots: All Versions Section 13.7. Finding Your Audience: All Versions Chapter 14. Windows Media Player Section 14.1. The Lay of the Land: All Versions Section 14.2. Online Music Stores: All Versions Section 14.3. DVD Movies: All Versions Section 14.4. Pictures and Videos Chapter 15. Movie Maker and DVD Maker Section 15.1. Importing Video, Music, and Photos: Home Basic • Home Premium • Ultimate Section 15.2. Editing Video: Home Basic • Home Premium • Ultimate Section 15.3. DVD Maker: Home Premium • Ultimate Chapter 16. Media Center Section 16.1. Your Gear List: Home Premium • Ultimate Section 16.2. Setup: Premium • Ultimate Section 16.3. TV: Your PC as TiVo: Home Premium • Ultimate Section 16.4. Music: Your PC as Jukebox: Home Premium • Ultimate Section 16.5. Photos and Video: Home Premium •Ultimate Section 16.6. Advanced Settings: Home Premium •Ultimate Part 5: Hardware and Peripherals Chapter 17. Fax, Print, and Scan Section 17.1. Installing a Printer: All Versions Section 17.2. Printing Section 17.3. Controlling Printouts: All Versions Section 17.4. Fancy Printer Tricks Section 17.5. Printer Troubleshooting : All Versions Section 17.6. Fonts: All Versions Section 17.7. Faxing: Business • Enterprise • Ultimate Section 17.8. Scanning Documents: Business • Enterprise • Ultimate Chapter 18. Hardware Section 18.1. External Gadgets: All Versions Section 18.2. Installing Cards in Expansion Slots: All Versions Section 18.3. Troubleshooting Newly Installed Gear: All Versions Section 18.4. Driver Signing: All Versions Section 18.5. The Device Manager: All Versions Chapter 19. Laptops, Tablets, and Palmtops Section 19.1. Laptops: All Versions Section 19.2. Tablet PCs: Home Premium • Business • Enterprise • Ultimate Section 19.3. Windows Mobile Devices: All Versions Section 19.4. The Sync Center: All Versions Section 19.5. Offline Files: Business • Enterprise • Ultimate Part 6: PC Health Chapter 20. Maintenance and Speed Tweaks Section 20.1. Disk Cleanup: All Versions Section 20.2. Disk Defragmenter: All Versions Section 20.3. Hard Drive Checkups: All Versions Section 20.4. Disk Management: All Versions Section 20.5. Task Scheduler: All Versions Section 20.6. Four Speed Tricks: All Versions Section 20.7. Windows Update: All Versions Chapter 21. The Disk Chapter Section 21.1. Dynamic Disks: Business • Enterprise • Ultimate Section 21.2. Compressing Files and Folders: All Versions Section 21.3. Encrypting Files and Folders: Business • Enterprise • Ultimate Section 21.4. BitLocker Drive Encryption: Enterprise • Ultimate Chapter 22. Backups and Troubleshooting Section 22.1. Automatic Backups: All Versions Section 22.2. Complete PC Backup: Business • Enterprise • Ultimate Section 22.3. System Restore: All Versions Section 22.4. Shadow Copies: Business • Enterprise • Ultimate Edition Section 22.5. Safe Mode and the Startup Menu: All Versions Section 22.6. Problem Reports and Solutions: All Versions Section 22.7. Startup Repair (Windows Recovery Environment) Part 7: The Vista Network Chapter 23. Accounts (and Logging On) Section 23.1. Introducing User Accounts: All Versions Section 23.2. Windows Vista: The OS with Two Faces: All Versions Section 23.3. Local Accounts: All Versions Section 23.4. Local Accounts on a Domain Computer: Business • Enterprise • Ultimate Section 23.5. Local Users and Groups: All Versions Section 23.6. Fast User Switching: All Versions Section 23.7. Logging On: All Versions Section 23.8. Profiles: All Versions Section 23.9. NTFS Permissions: Protecting Your Stuff: All Versions Chapter 24. Setting Up a Workgroup Network Section 24.1. Kinds of Networks: All Versions Section 24.2. Sharing an Internet Connection: All Versions Section 24.3. The Network and Sharing Center: All Versions Chapter 25. Network Domains Section 25.1. The Domain: Business • Enterprise • Ultimate Section 25.2. Joining a Domain:Business • Enterprise • Ultimate Section 25.3. Four Ways Life Is Different on a Domain: Business • Enterprise • Ultimate Chapter 26. Network Sharing and Collaboration Section 26.1. Sharing Files: All Versions Section 26.2. Accessing Shared Files: All Versions Section 26.3. Mapping Shares to Drive Letters: All Versions Section 26.4. Windows Meeting Space: Home Premium • Business • Premium • Ultimate Chapter 27. Vista by Remote Control Section 27.1. Remote Access Basics: All Versions Section 27.2. Dialing Direct: All Versions Section 27.3. Virtual Private Networking: All Versions Section 27.4. Remote Desktop: Business • Enterprise • Ultimate (Home editions are limited) Part 8: Appendixes Appendix A. Installing Windows Vista Section A.1. Before You Begin Section A.2. Upgrade vs. Clean Install Section A.3. Dual Booting Section A.4. Installing Windows Vista Section A.5. Welcome Center Section A.6. Activation Section A.7. Windows Easy Transfer Appendix B. Fun with the Registry Section B.1. Meet Regedit Section B.2. Regedit Examples Appendix C. Where'd It Go Appendix D. 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